Forbidden Gay Frontier: Where Star Trek Hasn’t Boldly Gone

George Takei
In 1991, Star Trek creator, Gene Roddenberry, spoke with The Humanist
magazine about his evolving view of the gay community, “My attitude
toward homosexuality has changed. I came to the conclusion that I was
wrong. I was never someone who hunted down ’fags’ as we used to call
them on the street. I would, sometimes, say something anti-homosexual
off the top of my head because it was thought, in those days, to be
funny. I never really deeply believed those comments, but I gave the
impression of being thoughtless in these areas. I have, over many
years, changed my attitude about gay men and women.”

That same year, Roddenberry spoke to The Advocate,
one of the leading GLBT magazines in the country, saying there would
eventually be a gay character in one of his series. “In the fifth
season [of Star Trek: The Next Generation] viewers will see more of shipboard life [including] gay crew members in day-to-day circumstances.”

Gene Roddenberry died later that year. No gay character ever appeared on The Next Generation or any other Trek series or movie.

“Just to get Star Trek on TV was an astounding move,” George Takei–the openly gay actor who starred as Star Trek’s Mr. Sulu–says in an interview
with AfterElton. “The program execs were baffled. They did not know
what to do with it! Now, we are in the 21st century, and this is
speculation, but I really think that if Gene were still with us today,
he would have been equally bold for our times today and addressed the
issue of equality for gays, lesbians, transgenders and bisexuals.”

So, why hasn’t Star Trek entered this final frontier?

Many blame Rick Berman, Star Trek’s
longtime executive producer. While Berman has never publicly said he
has no plans in the long-term for gay characters on the show, many fans
have read cryptic messages into some things he has mentioned over the
years. In a 2002 interview with, Berman addresses the
subject matter.

was really the wishful thinking of some people who were constantly at
us,” Berman states. “But we don’t see heterosexual couples holding
hands on the show, so it would be somewhat dishonest of us to see two
gay men or lesbians holding hands.”

But in Star Trek: Insurrection, Commander Riker (Jonathan Frakes) and Counselor Troi (Marina Sirtis) are seen holding hands at the end of the movie. Indeed, Star Trek
has often shown characters kissing and embracing. And fans have desired
more than just handholding, hoping instead for a well-rounded character
with as many virtues and flaws as their heterosexual counterparts.

In an exclusive interview with AfterElton, Andy Mangels–Trek’s only openly gay writer, having written over a dozen Star Trek
themed novels–says he believes blame lies with Berman. “I have never
met Rick Berman, and he has never expressed any specific attitudes
directly to me. That said, not one single actor, staff member, or
Paramount employee has ever once defended him from charges of
homophobia, and many have accused him of it.

was ultimately responsible for killing almost every pitch for gay
characters, and in interviews, was mealy-mouthed and waffling about the
need for GLBT representation. At the very least, he was gutless and
didn’t care about GLBT representation. From the information and
evidence I’ve seen, heard, and read, I believe that Berman is the
reason we never saw gays on Star Trek I shed no tears that he’s gone, except that he did his best to ruin the franchise on his way out.”

AfterElton contacted the representatives of Rick Berman. Mr. Berman had no official response.

Soren with Riker

Gay Star Trek storylines have been written—such as the Star Trek: The Next Generation
episode, “Blood and Fire” by David Gerrold—but it was never put before
cameras. In this episode, written back in 1987, the crew of the U.S.S.
Enterprise encounter a derelict spaceship infected with a dangerous
pathogen, known as Regulan Bloodworms, capable of killing the infected
within hours. This episode was to be a 24th century allegory to the
HIV/AIDS scare of the 1980s. One of the main reasons, however, this
episode was never put into production was because two of the episode’s
characters, Freeman and Eakins, were intended to be a gay couple.

official explanation for the episode’s cancellation was because of
studio concerns. Gerrold stated in an interview with Mark Altman for Cinefantastique
that he believes the episode dealt with homosexuality in a “blatant”
manner. He says the feedback from the staff was either encouraging or
concerned. “There was a paper trail a yard wide and a mile long on
everything and the memo on this was half that. People complained the
script had blatant homosexual characters. Rick Berman said we can’t do
this in an afternoon market in some places. We’ll have parents writing

other half of the memos were, from people like Dorothy Fontana and Herb
Wright and Bob Lewin, who said this is a very strong script. I’m not
making Rick Berman a villain because he also acknowledged the technical
aspects of the script were right on the nose for what the show needed
to be. But Rick Berman was the studio guy. He was watching out for the
studio’s interests.”

Three episodes, in particular, are labeled Star Trek’s “gay” episodes. The first is a Star Trek: The Next Generation
episode called “The Outcast” which dealt with an androgynous species
(cast entirely of female actors) known as the J’naii who do not have
typical gender roles of male and female. Those that do identify as
either/or are seen as abnormal and sent to rehabilitation centers.
Riker falls in love with Soren (Melinda Culea), a young J’naii who
identifies with the female gender. When he attempts to rescue her, she
eventually decides to stay. Gay viewers felt the episode cheated given
all the actors playing the J’naii were obviously women.

Host” also dealt with homophobia presented as subtext. In the episode,
Dr. Beverly Crusher falls in love with a Trill ambassador, Odan, who
later dies. His new host turns out to be a woman (played by Nicole
Orth-Pallavacini), prompting Dr. Crusher to end the relationship. It is
said that Gates McFadden, who played Dr. Crusher, attempted to change
the ending of this episode, but was overturned by studio execs.

McFadden isn’t the only actor who objected to an episode’s homophobic overtones. A Salon article from 2001 reports that in the Star Trek:The Next Generation
episode “The Offspring” actor Whoopi Goldberg (Guinan) refused to say
the line “When a man and woman are in love…”. She opted instead to
say “When two people are in love.” Said Goldberg, “This show is beyond
that. It should be." It was also decided on set that the background of
the scence show a same-sex couple holding hands, but one of the show’s
producers made sure that didn’t happen.

The final gay Trek episode was Star Trek: Enterprise’s
episode, “Stigma”, in which T’Pol (Jolene Blalock) contracts a rare
mental disorder, Pa’nar Syndrome that is portrayed as a version of the
HIV/AIDS (of which she is eventually cured).

told TrekWeb in April of 2003 that “Stigma” was, “supposed to be our
gay episode, but we sort of copped out.” Some critics of the episode
also felt synonymously linking the HIV/AIDS virus specifically with the
GLBT community to be questionable at the very least.

There have been other Star Trek episodes
perceived as having gay-ish themes. One that misfired was 1998’s
“Profit and Lace”—written by Ira Steven Behr & Hans Beimler. Here
the context of male homosexuality and transgenderism are set up as
comedic and insulting instruments. Producers, fans, and even the
story’s main actor, Armin Shimmerman consider this Deep Space Nine episode to be one of its worst.

In its defense, Deep Space Nine has also portrayed homosexuality in a (somewhat) positive light. In the episode, “Rejoined” written by Battlestar Galactica
producer, Ronald D. Moore, Trill Lt. Jadzia Dax (Terry Farrell) is
reunited with Lenara Kahn (Susanna Thompson), a lover from a previous
life (Trills being a symbiotic species who live many lifetimes from
host to host). Rekindling a romance with previous hosts is taboo and
punishable by exile. In what is undoubtedly a metaphor for modern-day
homophobia, Jadzia defies the law, and engages in the first ever
same-sex kiss in Star Trek’s history. But, in the end, Len ara Kahn leaves and Jadzia Dax “comes to her senses”.

episode is both praised and criticized by fans. Gay followers of the
show feel the romance wasn’t homosexual in nature as Dax’s previous
host was male, while Kahn’s was female.

Another female kiss, this one lacking any emotional resonance, was in the episode “The Emperor’s New Cloak”, set in the mirror universe of Star Trek—where
everything is the parallel, yet opposite. The counterparts to Colonel
Kira Nerys (Nana Visitor) and Ezri Dax (Nicole deBoer) engage in a
meaningless kiss. It’s only intention seems to stimulate the
straight-male fantasy of woman-on-woman action.

Cover of Star Trek:  Rogue

Finally, Star Trek: Voyager’s
episode, “Warlord” also had a same-sex kiss when a male psyche
possessed the character of Kes (Jennifer Lien) and kissed another
woman. Both characters were seen as duplicitous and evil—a
stereotypical trademark of gay and bisexual characters in Hollywood.

While Star Trek on both the large and small screen has yet to portray a positive and well-rounded gay individual, the Trek publishing media has journeyed to that frontier many, many times. Most notable is the Section 31 novel, Star Trek: Rogue
written by Andy Mangels and Michael A. Martin. The novel centers around
Lieutenant Hawk (a character who had been rumored to be gay in
pre-production of Star Trek: First Contact) and his partner, an un-joined Trill named, Ranul Keru.

Mangels believed the rumor
of Hawk’s being gay to be untrue. There was no evidence of the
character’s orientation in any movie screenplay that he saw, nor was
Neal McDonough (who played Lt. Hawk) aware of such intentions. Mangels
liked the Hawk character and “expected him to survive” the movie. When
he and writing partner, Michael A. Martin brought the idea to their
publishers about a gay character being the center of Rogue, he said they met no resistance of any kind.

with everything in the 24th century, bigotry toward Hawk and Keru’s
relationship is nonexistent. In one passages from the book, Commander
Riker and Data inquire about Hawk’s upcoming anniversary as easily as
if it were Worf’s.

The novel stayed at the top of the USA Today best selling list for several weeks.

says, “When we decided to make Hawk the focal point of the book, we
brought up with our editor, Marco Palmieri, that we wanted to make him
gay, playing off the movie rumors. Marco was all for the idea, as long
as the elements of his sexuality had something to do with the
characterization and the story. Neither he–nor we–wanted the gay
stuff to just be ‘stuck on’.”

author, however, admits there were some problems with the Paramount
licensing and worried the character’s sexuality might be edited. He
goes on to say, “Paramount licensing was very quiet about the book’s
contents, and made sure that Rick Berman and Brannon Braga (the Trek TV
producers) did not see it before it went to press. There was some
concern that the gay elements would be forcefully removed if Berman and
Braga saw it. Once it was at the printer, it was given to their office.
I never heard if there was fallout or not, but the book got publicity
all around the world.”

Even though Lt. Hawk was killed in Star Trek: First Contact, Ranul Keru still remains a favorite character of the writers. Since his introduction in Rogue, Keru has gone on to appear in other novels by Mangels and Martin such as Tales of the Captain’s Table, Worlds of Deep Space Nine, and the adventures of Captain Riker’s starship, Star Trek: Titan. In the Titan
series, Keru deals with the loss of Hawk and attempts to quell his
growing anger for Worf—the man responsible for Hawk’s death.

In more than four decades Star Trek
has produced nearly a dozen feature films,
726 episodes in six series
(including the 22-episode animated series
), numerous video games, and countless
books, comics, role-playing games, and magazines. The ground-breaking
sci-fi franchise has broken through many barriers, such as being the
first to have an interracial kiss (between William Shatner and Nichelle
Nichols) on broadcast television, as well as touting the values of
peace and tolerance for all. Yet the series has refused to address
forthrightly the topic of homosexuality where it would most matter—on
television or film.

Currently there are no new Trek series in the works, but there is an eleventh movie rumored to under consideration. Gay fans fervently hope Star Trek
will live on and that one-day this remarkable franchise will
finally—and boldly—go where none of its predecessors have gone before